ChuhaiLab is kept like a reagent bench: one dark slate worktop, a row of plain glass bottles with no labels, no stamps and nothing written on them anywhere, one small ceramic crucible resting on its stand, and charcoal, gold and wine light where portraits are actually made. The lab in the name is that bench and nothing more — the careful corner of this studio where mixtures of hair, light and fabric are tried in small amounts before a full set is made. Nothing here is measured for anyone else, tested for anyone else or reported to anyone; the bottles are props, emptied of everything but colour. Register one fictional adult character, write her crucible card once, and every tool at the bench — stills, video, edits, swaps, finishing — works from that same card, in the same order at every step. Costs are quoted before a job runs, results rest private in your account until you release them, and a failed job refunds itself. No anonymous use, no mystery pricing: a bench, a card, and a clear price sheet.
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Most studios make you re-describe your character at every bench and then wonder why she changes. ChuhaiLab keeps one crucible card beside the crucible and passes it down the line, handled the same way every time. The Crucible card beside each tool states its input, output and price before you commit a single credit, and credits themselves are studio credit only, with no cash value and no way to exchange or redeem them. The bottles and the crucible are the picture language of this bench and nothing more.
Text-to-image for fictional adult characters. Write her crucible card once and hold every later job to it.
In MotionText-to-video and image-to-video. Give a proven still one clear movement, quoted by duration and resolution first.
Guarded · TransformConsented transformations of your own photographs and your own generated characters. No one else’s material, ever.
RepairsOne precise change at a time — wardrobe, setting, light — for frames that miss by a single detail.
Hold the FaceCarry her face onto new stills, so a whole set still reads as one and the same woman.
FinishingFinished clips brought up to the size their destination requires. Finishing is the last stop, never the first.
Age, hair, build, face and one signature detail, in fixed lines you paste rather than retype. A card rewritten from memory drifts; a card pasted word for word holds.
Stills first, then motion, repairs and finishing — each job shows its exact credit cost before you confirm it, and each result is judged against the card before it is kept.
Everything rests private in your account. Upscale and publish only what earned it; the gallery shows only what makers deliberately put there.
The gallery shows only the frames and clips their makers chose to put on display. The house default is private; appearing here is always a deliberate decision by the person who made the piece, never an accident of the system.
Registration is free, and the daily check-in covers one standard picture a day. When the workload outgrows that pace, one-time credit packs wait at the pricing page — no subscription, no silent renewals.
Start at the reagent benchProduction notes on character consistency, prompt systems and delivery specs.
An upscaler raises resolution, not fidelity. Judge motion against the record, at the joins, before finishing money is spent.
Feelings are generous after an hour of generating. Five checks you can run in under a minute, and the threshold a frame…
A character stays herself because her crucible card never changes. The five fixed lines, the version habit, and what to check when…
Your image is deleted after generation.
Browse filesFailed jobs are refunded automatically. Results land in My Collection.
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